“The Lost Daughter” (Streaming December 31) The film might be shot with uncharacteristic restraint by Sorrentino’s baroque standards, but its relative calm allows him to crystallize a truth that was sometimes lost in his more circus-like epics about the overlap between the sacred and the profane: Heaven and hell are very real places that co-exist right here on Earth, often on top of and inside each other so completely that people are liable to lose sight of where they were until they’ve left it behind.” A soberingly autobiographical coming-of-age story about a Neopolitan teenager whose entire world is lost and redeemed in almost the same breath, ‘The Hand of God’ finds Sorrentino revisiting the summer when Diego Maradona’s miraculous transfer to Naples coincided with the greatest tragedy of the director’s life. The film’s emotional core, IndieWire’s David Ehrlich writes, “should be enough to push ‘The Hand of God’ onto the shortlist following its well-received tour along the fall festival circuit. The maximalist filmmaker’s latest is Italy’s submission for the 2022 Best International Feature Oscar. “The Great Beauty” Oscar winner Paolo Sorrentino returns with a personal story set in the 1980s in Naples, Italy, about a young man (Filippo Scotti) on a path of heartbreak and liberation after he’s saved from a freak accident by legendary soccer player Diego Maradona. “The Hand of God” (Streaming December 15) This is sordid trash with the kinds of over-the-top, hysteric sex scenes that only the ’90s could produce (see also “Showgirls”). When a Miami area guidance counselor (Matt Dillon) is accused of rape by two students (perfectly cast Denise Richards as the more popular half against Neve Campelle’s outcast), Kevin Bacon as a sleazy police detective steps in to uncover a tawdry conspiracy of double-crossing and psychosexual mind games. And the film’s storyline feels relevant more than 20 years later, the sort of pre-#MeToo thriller easily ripe for some sort of limited-event series reconsideration. John McNaughton’s lurid and sweaty neo-noir in the Southern hothouse tradition from 1998 spawned at least three crappy, straight-to-video sequels - a testament to its cultural power at the time, and to the cult devotion it inspired in the VHS years that followed. Image Credit: Columbia/courtesy Everett Collection ![]() ![]() Strangelove” wannabe? A histrionic Leonardo DiCaprio performance has put him in the awards conversation, particularly for a series of “Network”-scale meltdowns about the state of the planet that had preview audiences writhing at recent guild screenings - and will surely have certain politically striped viewers cheering in their living rooms this Christmas. Reactions to the film have been all over the map: Is it brilliant satire, or a screeching “Dr. The two Oscar winners (who enjoyed quite the payday) are joined by an insane marquee of stars: Meryl Streep, Jonah Hill, Rob Morgan, Ron Perlman, Timothée Chalamet, Ariana Grande, Kid Cudi, Mark Rylance, and Cate Blanchett. to warn the population that a giant meteor is heading straight towards the planet and will destroy it. The cast is headlined by Leonardo DiCaprio and Jennifer Lawrence, playing two low-level astronomers forced to travel around the U.S. One of Netflix’s big swings into the awards season, the mega-star-studded comedy “Don’t Look Up,” directed by Adam McKay, is set to hit theaters on December 10, followed by a streaming premiere on Netflix December 24. Then there’s Adam McKay’s cosmically budgeted, star-packed end-times comedy “Don’t Look Up,” sure to be popular for families staying home who like a little apocalyptic doom au jus with their Christmas goose.īut looking for a throwback favorite? IndieWire has rounded up the seven best movies new to Netflix in December, and they include a few retro (in Netflix’s limited scope of the term, anyway) options if you’re looking for familiarity this season. Perhaps on a quieter path to awards season contention, but still no less deserving of their plaudits, Maggie Gyllenhaal’s “The Lost Daughter” and Paolo Sorrentino’s autobiographical “The Hand of God” (featuring Italy’s answer to Timothee Chalamet, Filippo Scotti, as a Sorrentino stand-in) make their way to the platform. ![]() (And trust me, the wide-open, sinister sprawl of the Montana panoramas on display in this film are more than worth catching on a big screen.) Whether you’re embracing the holidays or ignoring them this December, Netflix has options to keep you engrossed and entertained.Īs the entertainment giant gets deep into its awards season strategy, a handful of top-tier contenders arrives this month, starting with Jane Campion’s “The Power of the Dog,” which is already streaming as of December 1 but still available to catch in select theaters if you prefer that experience.
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